“I am interested in ways to picture or map [civilization] … weaving in and out of functioning, resistance, understanding.”1 “I am interested in the potential of ‘psychogeographies’, which suggests that within an invisible and invented creative space the individual can tap a resource of self-determination and resistance. […] This impulse is a major generating force in my drawing and my larger conceptual project as a painter.”
“”Her meditation on subject matter, whether a spontaneous uprising in a revolutionary square, an algorithm of behavior of the everyday workplace, or post-human culture as it mutates towards the machine, is mirrored in a complex and personal lexicon of painting, a uniquely individual language that ruminates, in a mimetic way, on the swarming, morphing cosmology that is our historical moment, ever persistent in its process of becoming, ever mutating on a precipice of change. “”
Bulrush Gallery 